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・ Jean Germain
・ Jean Germain (politician)
・ Jean Germain Drouais
・ Jean Gerson
・ Jean Gery
・ Jean Giambrone
・ Jean Gigoux
・ Jean Gilbert
・ Jean Gilbert (diver)
・ Jean Gilbert Bayaram
・ Jean Gilbert Victor Fialin, duc de Persigny
・ Jean Gilles
・ Jean Gilles (composer)
・ Jean Gilles (French Army officer)
・ Jean Gilletta
Jean Gillie
・ Jean Gillon
・ Jean Gilpin
・ Jean Gimbel Lane Prize in Piano Performance
・ Jean Gimpel
・ Jean Ginibre
・ Jean Ginn Marvin
・ Jean Giono
・ Jean Giono Prize
・ Jean Giral
・ Jean Girard
・ Jean Girardet
・ Jean Giraud
・ Jean Giraud (mathematician)
・ Jean Giraudeau


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Jean Gillie : ウィキペディア英語版
Jean Gillie

Jean Gillie (14 October 1915 – 19 February 1949) was an English film actress of the 1930s and 1940s. Gillie appeared in 20 British and two American films before her career was cut short by her early death.
==Career==

Gillie broke into films in 1935 and quickly chalked up a number of credits in quota quickie productions. Most of these were comedic in nature, and Gillie's good looks and apparent aptitude for comedy attracted the attention of stage star Jack Buchanan, who pushed for her to be cast in the 1936 screen version of ''This'll Make You Whistle'' in which he was to star. She acquitted herself well in the film, showing a natural talent for playing comedy, and over the next few years went on to appear in a series of madcap roles in films such as ''The Girl in the Taxi'' (1937), ''Sweet Devil'' (1938) and ''Tilly of Bloomsbury'' (1940).
Gillie made no films in 1941 or 1942, but returned to the screen in 1943 in a straight dramatic role as one of the lead players in Leslie Howard's wartime propaganda piece ''The Gentle Sex''. This was followed by ''The Saint Meets the Tiger'', notable as the only time her character Patricia Holm (the love interest of Simon Templar aka ''The Saint'') was ever featured on screen in any film adaptation of a novel from the Leslie Charteris ''The Saint'' canon. 1944 saw Gillie starring in the whimsical propaganda drama ''Tawny Pipit'', while her last British film ''Flight from Folly'' (1945) marked a return to comedy.
During the war Gillie met American film director Jack Bernhard while he was on military service and stationed in Britain. The couple married in May 1944, and after the end of the war went to live in the United States. Gillie made her American screen debut in 1946 in the cult film noir ''Decoy'', directed by Bernhard. This was a radical departure from any role she had played before, casting her as a devious, manipulative, conniving and completely unscrupulous femme fatale. A contemporary reviewer commented: "It's been a long time since the screen has seen a more sinister feminine character than the one which Jean Gillie plays in ''Decoy''"〔("''Decoy'' at Barry Stars Jean Gillie ) ''Pittsburgh Post-Gazette'', 15-04-1947. ''Retrieved 17-09-2010''〕 The film was a Poverty Row production from Monogram Pictures, fading from view after its original cinema run and remaining little-known and largely unseen for many years. Latterly however it has gained an appreciative new audience among film noir aficionados after being included in Volume 4 of the Warner Bros. issued DVD series ''Film Noir Classics Collection'', released in the U.S. in 2007, when it was described in ''Entertainment Weekly'' as a "weird but transfixing tale".〔(''Film Noir Classics Collection Vol. 4'' ) Tucker, Ken. ''Entertainment Weekly'', 28-07-2007. ''Retrieved 17-09-2010''〕
In 1947 Gillie appeared in the Gregory Peck vehicle ''The Macomber Affair'', which turned out to be her final film. Her marriage to Bernhard had quickly run into trouble, and the couple divorced.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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